David Saint (Artistic Director) Now in his eleventh season at George Street Playhouse, Artistic Director David Saint has directed twenty-three mainstage productions, most recently NeilSimon’s The Sunshine Boys, William Finn’s landmark musical Falsettos, Joan Vail Thorne’s The Things You Least Expect, the film noir musical Gunmetal Blues, Inspecting Carol, the world premiere of Arthur Laurents’ 2 Lives, The Last Five Years, Lend Me a Tenor and the world premiere of Charles Evered’s Celadine starring Amy Irving.  Mr. Saint’s time in New Brunswick has been marked by collaborations with such artists as Uta Hagen, A.R. Gurney, Arthur Laurents, George Grizzard, Chita Rivera, Eli Wallach , Frances Sternhagen, Anne Meara, Dan Lauria, Stephen Sondheim and Jack Klugman.

An ardent advocate for new work, Mr. Saint created the Next Stage Festival of New Plays at George Street where the recent Broadway hit and Tony Award-winner Proof by David Auburn was developed before moving on to Manhattan Theatre Club and Broadway, becoming the longest-running play in two decades and the most produced play in the nation during the 2002-03 season.  Another success story emerging from the Festival is The Spitfire Grill, which won the prestigious Richard Rodgers Award for New American Musicals and was produced under Mr. Saint’s direction at Playwrights Horizons in New York, winning Drama Desk, Drama-League and Outer Critics Circle award nominations, before becoming one of the most produced plays in the nation during the 2004-05 season, generating more than 100 productions across the country.

Mr. Saint has directed on Broadway, Off Broadway, and at most of the leading regional theatres around the country.  Recent credits include A.R. Gurney’s new play The Fourth Wall at Primary Stages, starring Sandy Duncan, as well as the world premiere of Mark St. Germain’s The God Committee at Barrington Stage.  Other regional credits include Manhattan Theatre Club, Playwrights Horizons, McCarter Theatre, Long Wharf Theatre, Williamstown Theatre Festival, Paper Mill Playhouse, Bay Street Theatre, Walnut Street Theatre, and Seattle Repertory Theatre, where he served as Associate Artistic Director to Daniel Sullivan, directing many productions including the West Coast premiere of Wendy Wasserstein’s An American Daughter.  Other productions include two Anne Meara plays:  After-Play, in New York and Los Angeles, and Down the Garden Paths, which began at George Street and moved to New York; the national tour of The Cocktail Hour, with Fritz Weaver and Elizabeth Wilson; Fame: The Musical; The Fourth Wall, with Betty Buckley and George Segal; Fourplay, with Elaine May and Gene Saks; Sons and Fathers, with Holly Hunter; and the West Coast premiere of Lend Me A Tenor, as well as world premieres by such authors as Jonathan Larson, Peter Parnell, Jonathan Marc Sherman, Aaron Sorkin, and others. Mr. Saint was recently a panelist for the Philadelphia Theatre Initiative for the Pew Charitable Trust, has taught at Bennington College, and directed the short film Celebrity. He is the recipient of the Alan Schneider Award, Helen Hayes Award, Los Angeles Drama Critics Award, and several Drama-Logue Awards.

Todd Schmidt (Managing Director) Prior to joining George Street Playhouse as Managing Director Todd Schmidt served as the Executive Producer of Peninsula Players Theatre, America’s oldest professional resident summer theatre, in Door County, WI.  While with the Peninsula Players Todd produced more than 70 plays and led the theater through a remarkable period of growth that revitalized and reorganized the organization culminating in the opening of a new state-of-the-art performance space in 2006.  In Chicago Todd directed and co-produced St. Nicholas by Conor McPherson at Victory Gardens Theatre and The Woman in Black, which was nominated for a Joseph Jefferson Award for best production.  He is president of the Council of Resident Summer Theatres, past president of the Peninsula Arts and Humanities Alliance and an active founding member of Theatre Wisconsin, the alliance of professional theaters in the state.  Todd holds an MFA degree from the Goodman School of Drama, DePaul University and a BA from Auburn University, Alabama.  He has been on the faculty of Loyola University-Chicago, directed for Oakland University in Detroit, and has worked with Chicago Shakespeare Theatre and Apple Tree Theatre.

Board of Directors